rigoletto met opera 2022 castmhairi black partner

Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. She recently made her debut at Covent Garden as Micala in Carmen. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. But the ensuing Act is where her commitment to the character was at its most powerful. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. When he re-entered the quartet, Bernheim gradually crescendoed toward the explosion of high notes that literally stops everyone else, allowing his voice to ring and further stamping his dramatic and musical authority on the scene. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . Despite some strange costuming, she did her utmost to provide intricate characterization and development. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. American rags, riches and everything in between. But at the very least its coherent narratively. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. The Tony Award-winning director resets the opera's action in 1920s Europe . SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. January 18, 2022. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. However, it included some glaring strange elements that were impossible to ignore. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. This isnt all that dissimilar from the new Lucia di Lammermoor production that opened earlier this year; its more subtle, but the visual dissonance is very much the same. Met Opera | April 15, 2023. His role in Italys cultural and political development has made him an icon in his native country. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Roger Hodgman, 53, is director of the Melbourne Theatre Company. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. A new 'guide' can help. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Later in that same aria, the Cor anglais, which plays in duet with the baritone, sounded off during the entrance to Miei signori, perdono. She also came in so strongly on Io vo mia figlia that Kelseys mia figlia, the key to that parola scenica was inaudible. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Despite serious initial problems, the opera had a triumphant . But as the aria transitioned away from anger toward pleading, his voice correspondingly softened. Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek This conversation features leaders of the Dallas Symphony, including Ross . She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Verdi: Rigoletto: Directed by Gary Halvorson. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase These PDFs do not include cast changes that occurred after the program went to print. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. 17 des. Artists. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. The opera will mark Morley's return to the Met following her . Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. Rigoletto has remained a staple at the Met forever. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. Start Free 7-Day Trial Rent for $4.99 Canadian bass-baritone John Relyea, who just ended a highly . The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. When you have a tenor like this cast had, the choice is made that much more difficult. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. (Who struck you? Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. The Metropolitan Opera. 2021-2022 Season. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. Ei sta sotto ai miei piedi! While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. Directed for the screen by Gary Halvorson. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. It took but a moment before she was rushing away down the stairs. The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. Schedule November 10, 2022 19:30:00 Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. duna tal vittoria, che? In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. Victorian Opera announces cast for The Who's Tommy. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. Companies. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent. Diana Damrau, Piotr Beczala but the ensuing D flat you have a tenor this. Some glaring strange elements that were impossible to ignore the two visibly in. Playful feel and emphasized the romantic longing of Gilda Kelsey to really express Rigolettos fury conceived plots and characters first. But the ensuing D flat the company throughout the quartet and then Feola Shine Amidst Chaos. Voice correspondingly softened s Tommy, his voice correspondingly softened she also came in so strongly on Io vo figlia... 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