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Find top songs and albums by Jennifer Higdon, including Barcarole (Seven Mad Gods Who Rule the Sea): III. She is a major figure in contemporary classical music, receiving the 2010 Pulitzer Prize in Music for her Violin Concerto, and Grammy Awards for the recordings of her Percussion Concerto (2010), Viola Concerto (2018), and Harp Concerto (2020). "I realized I was working on this when we were approaching the Olympics," she says. About Mark Allen Group She's won a Pulitzer Prize and a Grammy Award. 2023 Atlanta Symphony Orchestra. Bartk is a clear influence in Fiery Red, as it is (unsurprisingly, perhaps) in Higdons Concerto for Orchestra (2002). The writing for woodwinds is especially satisfying. Jennifer Elaine Higdon (born December 31, 1962 [1]) is an American composer of contemporary classical music. Van Glahn, Denise (university representative) Jennifer Higdon's Violin Concerto: The Genesis of a Twenty-First Century Work, Williams, Max Brenton Harkey (author) Jennifer Higdon started late in music, teaching herself to play flute at the age of 15 and then beginning formal musical studies at 18, with an even later start in composition at the age of 21. 12:06 AM Symphony Composer: Luigi Boccherini . her answer was "the usual time; learning the notes is the easy part" of preparation. Higdon has become something of a concerto specialist over the past decade, producing works for oboe (2005, later adapted for soprano saxophone), a bluegrass trio (the Concerto 4-3 from 2007), and piano (2009). Among her most popular works are the symphonic poem blue cathedral, her opera Cold Mountain, and a Pulitzer Prize-winning Violin Concerto, written for Hilary Hahn. This Item is protected by copyright and/or related rights. Some of the material in is restricted to members of the community. Jennifer Koh plays the difficult violin part with exceptional beauty of tone, and the ASO Chorus is on top form. 172614:23 2. Higdon received the 2010 Pulitzer Prize in Music for her Violin Concerto, with the committee citing the work as "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity." "You're trying to find out what other concertos do, and you look at the person you are writing for, and you can kind of tailor-make it.". Additionally, a biographical sketch of the composer as well as all known influences on the Concerto are discussed. Jennifer Higdon (born December 31, 1962) is an American composer of classical music and composition teacher. Structurally, her music reflects the "intuitive" style that she composes by: Her music is decidedly sectional, but tends to have a natural flow melodies often carry over bar lines, creating some motivic and sectional ambiguity. Fly ForwardWorld premiere recordingHilary Hahn, viol. Higdon will participate in residencies across the country, as part of the New Music for America commission. Higdons intimate side. If you have questions about access or logging in, please use the form on the Contact Page. Jennifer Higdon (composer). Conductor Marin Alsop says she's also a Higdon fan. Which is not a musical goal of Jennifer Higdon? She is a major figure in contemporary classical music, receiving the 2010 Pulitzer Prize in Music for her Violin Concerto, and Grammy Awards for the recordings of her Percussion Concerto (2010), Viola Concerto (2018), and Harp Concerto (2020). Which American composer is associated with neo-Romanticism? Jennifer Higdon DATES Born December 31, 1962 in Brooklyn NATIONALITY American STYLE/PERIOD Modern 1920-Present FAMOUS WORKS blue cathedral, City Scape, Concerto for Orchestra, Percussion Concerto, Violin Concerto BIOGRAPHY Unlike most composers, Jennifer Higdon did not begin studying or listening to classical music until she was a teenager! "I'm humbled and honored to get the prize," Higdon said in a phone interview Monday. Her father, Charles Higdon, was a painter and made efforts to expose his children to different types of art. The cats names, for the record, are Beau and Squeak. This song sets a text by Walt Whitman, from When Lilacs Last in the Dooryard Bloom'd. Spiral bound score, 14 p. . About Jennifer Higdon Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Premiered in 2000, it has since been performed by more than 400 orchestras around the world. She has been awarded honorary doctorates from the Hartt School and Bowling Green State University. She has received many awards, including the 2010 Pulitzer Prize for Music for her Violin Concerto[2][3] and three Grammy Award for Best Contemporary Classical Composition for her Percussion Concerto in 2010, Viola Concerto in 2018, and Harp Concerto in 2020. And I have a tendency to make musical events happen or turn over fast. She has explained her philosophy partly as a reaction to the anything-goes happenings she experienced through her fathers artistic interests, her grounding in the steady rhythms of popular music, and also the dogged determination she felt she needed in order to make up for her own late start. As the movement unfolds, these elements intertwine and elaborate. Most recently, Higdon received the Nemmers Prize from Northwestern University which . During her time at Bowling Green, she wrote her first composition, a two-minute piece for flute and piano named Night Creatures. A theoretical analysis of the work and speculations as to its future complete the study. [22] The third was in 2020 for her Harp Concerto.[23]. (Duncan Druce in his Gramophone review, 4/11 describes the slow movement as vaguely reminiscent of Vaughan Williams but with the lark ascending into a more unsettled sky.). The first is enigmatically denoted "1726," a number Higdon says has meaning to both her and Hahn and she has promised an autographed copy of the score to the first six respondents correctly guessing what this significance is. Jennifer Higdon's myriad accolades and accomplishments are impressive by any standard, but particularly in the world of contemporary classical music. Higdon received awards from the Guggenheim Foundation, the American Academy of Arts & Letters (two awards), the Pew Fellowship in the Arts, Meet-the-Composer, the National Endowment for the Arts, and ASCAP. 'Accessible' is often a dirty word in the world of art, but Jennifer embraces the concept and explains that a major priority for her is to give listeners a sense of grounding and a feel for where they are in her compositions.". Piotr Ilyitch Tchaikovsky: Violin Concerto in D Major, Op. The composer said in a phone interview that she was surprised to learn that she had won the Pulitzer on Monday. [8] Of playing in the university orchestra, she has said: "Because I came to classical music very differently than most people, the newer stuff had more appeal for me than the older. "Jennifer Higdon's vivid, attractive works have made her a hot commodity lately," wrote Steve Smith of the New York Times. Abstract. And its quintessential Higdon, marrying simplicity with complexity, and stability with surprise. "[citation needed], Among less favorable assessments, Andrew Clements in the Guardian gave a CD of Higdon's music a minimal one-star rating. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Conductors who worked extensively with her include Christoph Eschenbach, Marin Alsop, Leonard Slatkin, and Giancarlo Guerrero. I believe in a clear pulse and a clear rhythm. She eventually obtained both a Master of Arts and a PhD in composition from the University of Pennsylvania under the tutelage of George Crumb. Higdon came to music relatively late. I like to be able to hear the harmonic movement. Higdon does not intentionally compose with a form in mind, but allows the music to unfold naturally. "I jumped up and down a little," confesses Higdon - and that probably scared her cats, too. Higdons first opera, I believe that one of the most rewarding aspects of life is exploring and discovering the magic and mysteries held within our universe. [6] Despite her early introduction to art, she received very little exposure to classical music in her home. Higdon enjoys more than 200 performances a year of her works. Concertos for Violin & Orchestra. Jennifer Higdon (b. The piece, recorded by Hahn and the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko, is slated for a September 2010 release . "You know the track and field events where they are running across the tape at the end? The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. The Red Violin. The work is unquestionably complex but, unlike Higdon's Concerto for orchestra, the texture is not dense. 1962, born in Brooklyn, resides in Philadelphia Carl Ruggles 1876-1971, born in Massachusetts, died in Vermont Lou Harrison 1917-2003, born in Oregon, died in Indiana Venzago plays Schumann with unusually varied tempos. Hilary Hahn, Violin. [1] This is Higdons runaway hit; since its premiere at Curtis in 2000, it has been performed more than 500 times. As Curtis was also a primary training ground for me as a young composer, it seemed an appropriate tribute. Philadelphia-based composer Jennifer Higdon won the Pulitzer Prize for music with her Violin Concerto Monday. He said that did this with the orchestra that Schumann himself had conducted in Dusseldorf, which is used to steady tempos and he did not know whether this would provoke outrage and they actually liked it enough to ask him to be their "Schumann" conductor. [10], Higdon has received commissions from major symphony orchestras, including the Philadelphia Orchestra, the Cleveland Orchestra, the Chicago Symphony, the Atlanta Symphony, the National Symphony, the Minnesota Orchestra, the Pittsburgh Symphony, the Indianapolis Symphony, and the Dallas Symphony. Pulitzer Prize- and three-time Grammy Award-winning composer Jennifer Higdon is one of America's most frequently performed living composers. Jennifer Higdon's Violin Concerto was completed in August of 2008 and premiered 6 February 2009 by the work's dedicatee, Hilary Hahn, with the Indianapolis Symphony Orchestra (co-commissioner) and Mario Venzago, serving as conductor. "[9] While at Bowling Green, she met Robert Spano, who was teaching a conducting course there and who became one of the champions of Higdon's music in the American orchestral community. It is unlike any other work for violin and orchestra I have heard (and I have reviewed here over two dozen of them in the last few years.). Her works have been recorded on more than four dozen CDs. She spent the first 10 years of her life in Atlanta, Georgia before moving to Seymour, Tennessee. (I rather hope she will re-name the movement.) She didnt begin composing until she was 21 and even then only at the behest of her flute teacher but went on to complete graduate studies at Curtis and the University of Pennsylvania, working with Ned Rorem and George Crumb, respectively. The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. At 15, she happened upon her mothers old flute and, with the help of a method book, taught herself. She now receives more than two hundred performances a year of her works. Jennifer Higdon is one of the cherished names in contemporary American classical music. "Smoky Mountain Air" by Jennifer Higdon Performed by Rachel Loseke, violin "Nowhere to Hide" by Alice Jones Performed by Kelsey Bentley, French horn "hill and valley" by Mary Kouyoumdjian Performed by Hillary Herndon, viola "O-O-O" by Yaz Lancaster Performed by Claire Chenette, oboe "Ten Children #13" by Michael Lowenstern Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. MA Music, Leisure and Travel hide caption. Allegro moderato [0:19:22.71] 05. So I guess I found out a little bit after everyone else., The other finalists in the music category were Fred Lerdahls String Quartet No. 3 ("Rhenish"), in Dsseldorf, conducted by the composer; 1930 - Roussel: "Petite Suite" for orchestra, in Paris; 1933 - Henry Brant: "Angels and Devils" for solo flute and flute ensemble, at a Pan-American Association of Composers concert at Carnegie Chapter Hall in New York City, with the famous French-born flautist Georges Barrre as the soloist; On the same program, Brant accompanied soprano Judith Litante at the piano in the premiere performances of three songs by Charles Ives: "Afterglow," "Ann Street," and "Like a Sick Eagle"; 1941 - Hindemith: Cello Concerto, at the Sanders Theater (Cambridge, Mass.) The work was jointly commissioned by the Indianapolis Symphony Orchestra, the Toronto Symphony Orchestra, the Baltimore Symphony Orchestra, and the Curtis Institute of Music. But though it looks backwards not only to Bartk but various other mid-20th-century masters the music displays such confidence and lan that one is swept away. Higdon received a Bachelor's Degree in Music from Bowling Green State University, an Artist Diploma from The Curtis Institute of Music, and an M.A. [6] Popular and folk music were not the only early influences on her composition; the mountains and wide open spaces of her Tennessee home have influenced her style, and even helped bond her to George Crumb, who encouraged her to use nature as a muse.[14]. The phrasing is very varied, with an unusual amount of pizzicato, for both soloist and other strings, some fluttering sounds, even from the brass, an undulating passage, some smooth legato from the strings. A perfect example, Higdon says, is the concerto's first movement, titled "1726" (the street address of Curtis). Vasily. Jennifer Higdon. Higdon has been frank about her allegiance to traditional musical values what some would call accessibility. [13] Her most popular work is blue cathedral, a one-movement tone poem which she wrote in memory of her brother, who died of cancer in 1998. Her music has been hailed by Fanfare Magazine as having "the distinction of being at once complex, sophisticated but readily accessible emotionally", with the Times of London citing it as "traditionally rooted, yet imbued with integrity and freshness." Higdon's In the Shadow of the Mountain was the group's final 20x20 commission and will receive its New York Premiere in Weill Hall. The mood of the work was more lyrical than not. Indeed, the climaxes are carefully placed, not just within the individual movements but in the work as a whole, which forms a shapely and satisfying dramatic arc. Higdons sure dramatic sense is evident, too, in blue cathedral (2000), a 12-minute tone-poem written as a memorial to her younger brother, Andrew Blue Higdon, who died of cancer in his early thirties. Williams, Max Brenton Harkey. The concerto opens with high harmonics from the soloist's violin over those knitting needles, for instance, and then of course there is that tuba. From 1994 to 2021, Higdon was a professor of composition at the Curtis Institute of Music, where she held the Milton L. Rock Chair in Compositional Studies. Hear An Excerpt From The Winning Composition, Composer Jennifer Higdon's Violin Concerto is this year's Pultizer Prize winner for music. On the occasions where she has set non-English texts, she tends to use both the text and translation in the piece, allowing the piece to more effectively communicate its message. Her style grew out of her musical upbringing, which was characterized by much greater and earlier exposure to popular music such as the Beatles, the Rolling Stones, Simon & Garfunkel, and many other groups, rather than to classical music. Chaconni26:40 3. Pulitzer for drama goes to Next to Normal. Find Jennifer Higdon composition information on AllMusic. In 2020, Higdon's Percussion Concerto recording was inducted into the Library of Congress National Recording Registry. The piece was co-commissioned by the Library of Congress and the Curtis Institute of Music. The concerto was co-commissioned by the Indianapolis Symphony and debuted in 2009 with the orchestra and Hilary Hahn as the soloist. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. She has is a major figure in contemporary Classical music, receiving the 2010 Pulitzer Prize in Music for her Violin Concerto, a 2010 Grammy for her Percussion Concerto and a 2018 Grammy for her Viola Concerto. DG 146980-2, On todays date in 2009, Hilary Hahn premiered a new violin concerto by the American composer Jennifer Higdon, a work tailor-made for the violinist, according to Higdon: Shes got gorgeous tone in the top register, but also down really low, so I tried to utilize her entire range, her lyrical gift, her ability to play super fast and negotiate through complex meter changes., When asked if it wasnt intimidating writing a violin concerto in the 21st century, considering the incredible legacy of great violin concertos already written, Higdon said a little intimidation is a good thing: There's nothing like fear to get the imagination running. With exceptional beauty of tone, and stability with surprise year of her.... 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